Shuffle Time [Michael Holt The Trophy 500]

Posted by Dan | | Posted On Aug 29, 2008 at 7:53 PM

I'm going back to one of the very fist groups I ever posted about Michael Holt The Trophy 500's. (link) It is cool finding cool groups like them with this wondrous invention the internet. And thanks to the internet if you like their music (who wouldn't with a shuffle like that!) you can go order some cds from Blues Detour a great site dedicated to selling nothing but music from independent blues artists.

Man sometimes I wish I was in Austin.

Robert Cray represents "Backbone Of American Music" [Damn right]

Posted by Dan | Labels: | Posted On at 12:08 AM

It's no news that I am a fan of Robert Cray (really) so it really shouldn't be a surprise that I'd post anything that I can about him. This article is pretty cool to at least show mass appeal he has but it mainly is a plug for a concert he is doing with Keb' Mo (nothing wrong with that). Really though you have to look at all the success he really has had. In the 80's he was a really cool up and comer which he used for some great momentum into the 90's. Most off all he did this all with purely original material. Really can you name someone who built success on original material? It's nearly impossible for me but I'm sure there are a few.

But it's all about tone, tone, tone, and he has got it in spades. I certainly look forward to seeing him again but till then I just have to be happy with humming Smoking Gun.


Hartford Courant
Bluesman Cray Proudly Represents 'Backbone Of American Music'
Hartford Courant, United States
By THOMAS KINTNER | Special to the Courant With nearly 30 years of recording behind him, Robert Cray has become one of the most reliable pillars of modern ...

North Mississippi Allstars for my Herndon, Va reader.

Posted by Dan | | Posted On Aug 27, 2008 at 2:20 PM

Hey dude in Herndon Virginia this goes out you you.

Watermelon Slim [Contemporary blues]

Posted by Dan | | Posted On at 11:56 AM

It seems like his is the poster child for contemporary blues but I just can help but find news on Watermelon Slim. I've listened to the man on the Roadhouse but my student budget has prevented me for picking up any of his albums. But if you are like me then here is a good article to get to know more about the man.


PopMatters
Bluesman watermelon slim paints a different picture
PopMatters, IL
Over the last two years, he has received 12 Blues Music Awards nominations for 2006's "Watermelon Slim & the Workers" and 2007's "The Wheel Man.

The Roadhouse 184

Posted by Dan | | Posted On Aug 24, 2008 at 10:56 AM

Here is the new roadhouse which i can't listen to because my dorms internet is down

via The Roadhouse by Tony Steidler-Dennison
This hour of The Roadhouse is chock full of great blues by artists you've heard of and artists you haven't. It's music from Chicago and Dockery Farms, from St. Louis and Dallas, from the 1920s and 2008. Sometimes the essence of a thing is so clear it needs no further explanation or exploration. That's the deal in the 184th Roadhouse - it's blues, unaffected, pure and simple.

Concert Catch up for the past two weeks [Part One]

Posted by Dan | | Posted On Aug 20, 2008 at 9:35 PM

Well I've been sparse on the updates as of late because I've been incredibly busy what with getting ready to go back to college and what even I must say is a ridiculous concert schedule. In a week and a half starting on the 11th I saw BB King on Sunday, Herbie Hancock on Monday, Buddy Guy and George Thurgood on Wednesday, and Bobby "Blue" Bland last night. Seriously hectic and I'm going to have to take a break before I do anything like that again. So now I will go through each concert one by one to kind of give you and idea on how I felt about them but be wary because there is probably going to be some philosophical monologues throw in.

First off BB King

It was a great concert but what struck me the most was that it was basically the same concert I saw early this year that cost me three times the price. I mean I can hardly fault a 82 year for doing the same show over again because that basically is what he has been doing for that past 50 something years. However I've come to the opinion that BB is pretty much an embodiment of the national perception of the blues; he is the establishment. How it seems that Muddy Waters has faded from the collective memory and the only idea most people have of the blues continues to be and old black guy on a guitar who is now embodied by the well know BB King.

I feel as if BB King might not be the best example of the blues. I know I'm bordering on blasphemy but I feel the the lack of intimacy and raw emotion from his performances are basically giving the wrong impression. He is the packaged perception of the blues marketed to the people who feel that going to his concert gives them a broader outlook on American heritage but when in the grand scheme of things BB is just the polished paint job on a classic Cadillac. It's just what you can see on the outside diverting ones eyes from all the things on the insides; all the little pieces the make the car work and even further than that who made those pieces? What were the conditions that made those people do what they did? There is none of the grease, grime, or or sweat of a car on the outside. With blues there are layers but not enough people are getting past the shiny paint job.

Next Herbie Hancock(I know he is a jazz player but so am I and even though this is a blues blog I'm using him as an example of a great concert)

I'm going to be blunt, this was one of the best concerts I have ever been to. Usually there are concerts that are 70%, 80% and even 90% but I have only been to a handful that are 100% perfect. I could go on about every little detail (Lionel Loueke look him up, just do it.) but I'm going to continue on philosophical dialogue here.

I had a friend say "I'm not really a fan of fusion Herbie. it's just very corny to me." other than being a grossly ignorant statement it is also an unacceptable opinion for a musician to make (he is a guitarist). All people that know me are probably thinking I'm a hypocrite right now but believe it or not I'm working on changing. But the statement was mainly wrong in it's ignorance principally being that Fusion is corny and that Herbie can be described in such few words and corny is certainly not one of them. This touches on the broader concept of this post about society's general perceptions about the music of blues and jazz and their artists; plainly the general public is wrong. My friend was wrong thinking that Herbie was Fusion when he played quite a diverse show and second that BB King is the blues. I'm not going to possibly try and reason why things are they way they are but I do have some theories and forgive me while I keep them private for further development.

I'm sorry to cut this off but please tune in latter for the second installment.

Joe Bonamassa Just Gets Better & Better & Better [from Strat-O-Blogster]

Posted by Dan | | Posted On at 8:33 PM

I had a cool local guy a few months back recommend a guy named Joe Bonamassa to me as an artist to listen to; well I had already hear of him but just in case you haven't he is a cool article on him from the Strat-O-Blogster Guitar Blog (seriously that is an awesome name for a blog, kind of makes me which I went for something that was a play on words)

Anyways I recomend fallowing the article to some fantastic youtube videos so you can be like me and by that I mean ready to see Joe Bonamassa the next chance you get.

Kinda hard to believe that little Joe Bonamassa, the child guitar prodigy at age 8, has crossed the 30 year mark and come a long way since his Bloodline days. Yep, Joe is all grown up now and has proven to be way beyond a child of the novelty with a guitar or another SRV wannabe (KWS?). In fact, Bonamassa continues to expand his chops showing no signs of peaking or leveling off in his ability.

Similar to players like Gary Moore & Popa Chubby, Joe can duplicate great guitar players, and incorporates a lexicon of legendary guitar styles from BB to Clapton to Jeff Beck to Eric Johnson-- even up to the phrasing of fellow contemporary Derek Trucks. And although he's currently having fun with those trademark Eric Johnson runs, he's most fond of the Blues where he stays anchored. Opening many many shows for BB King opened Joe's eyes and ears to the broad dynamics of just one note. He can burn it up, but knows that it all starts and ends on just one note. And tone... Joe knows tone...........

Howlin' Wolf - Smokestack Lightning (1964)

Posted by Dan | | Posted On at 12:04 PM

I can't get enough of Howlin' Wolf right now.

Finger-Picking Good [Cephas & Wiggins]

Posted by Dan | | Posted On Aug 18, 2008 at 10:53 AM

Well what I have got here is a great article on Cephas & Wiggins and their new album. Cephas & Wiggins while they are on Alligator are particularly cool to me because their kind of local blues heroes to me. I've had the please of meeting Cephas and I've watched them both play on my college canpus.

I really recomend checking them out and learing a bit about Peidmount blues.


Wall Street Journal

Finger-Picking Good
Wall Street Journal
By JIM FUSILLI Though not as famous for it as the Mississippi Delta or Chicago, the foothills of the Appalachian Mountains in Virginia have long been a ...

The Roadhouse 183

Posted by Dan | | Posted On Aug 16, 2008 at 9:26 PM

Here we go a new roadhouse. I'm going to listen to it as I drive back to college for move in day.

via The Roadhouse by Tony Steidler-Dennison on 8/16/08
The 183rd Roadhouse Podcast is an hour of brand new music. Music from the past few months and the months ahead make up a nice snapshot of the state of blues during four months in 2008. The hour includes Walter Horton, Alexis P. Suter Band, Carlos Del Junco, Legendary Rhythm & Blues Revue, Big Dave [...]

An Article on Isaac Hayes

Posted by Dan | | Posted On Aug 12, 2008 at 3:11 PM

Here is a great article on that talks about the last years of Isaac's life and it really puts a lot of things into perspective. It highlights the problems with his Stroke in 2006 and the financial burden Scientology had put on him, prompting his return to preforming when he physically shouldn't have. This all strikes a cord with me because I was upset I missed an opportunity to see him live last January; but I would have seen a broken man.

Same More from Sam & Dave said
"Sam Moore, who recorded those Isaac Hayes songs in the '60s and loved the writer-performer like a brother, told me Sunday when he heard about the death: “I’m happy.” Happy, I asked? “Yes, happy he’s out of pain.” It was one of the most beautiful ideas I’d ever heard expressed on the subject of death."
By Roger Friedman
Here is the full article.
http://www.foxnews.com/story/0,2933,401321,00.html

So lets remember him as he would of liked us to remember him, and lets not forget what he gave us.

No explanation needed.

Posted by Dan | | Posted On Aug 11, 2008 at 1:00 PM

The Late Robert Lockwood Jr.

Posted by Dan | | Posted On Aug 10, 2008 at 1:45 PM

He was our only direct connection with Robert Johnson other than music. Lately I've been thinking about getting of after visiting my grandfather who is not in that great of shape. But hosestly if I could reach ninety like Robert Lockwood Jr. than maybe things wouldn't be that bad.

The Roadhouse 182

Posted by Dan | | Posted On Aug 9, 2008 at 7:28 PM

Listen and enjoy. Oh and keep us the good work quitting smoking Tony.

via The Roadhouse by Tony Steidler-Dennison
We hop on a train in Chicago's Union Station this week, heading for points west. Crossing through the plains, the mountains and the desert, we arrive at the place where the Pacific meets the land, and blues meets jazz. West Coast blues fill the hour of the 182nd Roadhouse Podcast, with Jimmy McCracklin, Lowell Fulson, [...]

Buddy Guy Loves Skin Deep

Posted by Dan | Labels: | Posted On Aug 8, 2008 at 11:09 PM

Look I'll try to talk about someone other than Buddy Guy but next week I get to see him again so bare with me.

So apparently Buddy liked his new album (desen't everyone?) Here is an article with his words on the production proses and how he felt about for the first time recording an album of completely new material.

MUSIC SCENE: Bluesman Guy loves his latest album
The Patriot Ledger, MA
At the South Shore Music Circus in July 2005, Guy had some throat problems that hindered him from cutting loose on some of his wilder blues shouts. He ...

New Albums From Magic Slim And Albert Cummings On Blind Pig [buy them]

Posted by Dan | | Posted On Aug 7, 2008 at 8:07 PM

More music for my to buy, which sucks because I'm going back to school soon and thats been taking up all my money.

via About.com Blues on 8/7/08
Noted blues music label Blind Pig Records has announced a September 9, 2008 release date for new albums from Chicago blues icon Magic Slim & the Teardrops and blues-rock guitarist...

Birthday Boy Magic Slim [Happy Birthday]

Posted by Dan | | Posted On at 8:06 PM

Buddy Guy's "Skin Deep" Review

Posted by Dan | Labels: | Posted On Aug 3, 2008 at 8:05 PM

Opening up at number 64 on billboard's top 200 Skin Deep is the first blues album to place since....I would assume the posthumously released "The Sky is Crying" by Stevie Ray Vaughn. Basically this album is successful; but is it good?


Skin Deep

Taking a page (and backing support) out of Eric Clapton's book "Skin Deep" is a thoroughly modern album. It's well produced, including the talent of Derek Trucks, Robert Randolph, and Eric Clapton it on paper has all to ingredients of a really great album.

But it's not one. It is a great album but it just not that great.


I have seen Buddy Guy three times going on 4 next week and that is where you learn his true sound. He is a live performer. His recent albums excluding "Blues Singer" completely lack the essence of really listening to him. I compare "Skin Deep" to like listening through a filter; all the static and intricacies are filtered out. I caught myself thinking "Wait my ear's aren't ringing?" The CD just does not convey the intensity of a live show. When you see Buddy live the energy for him and the sound is so intense you can feel it. Every note and every bend you can feel. Buddy Guy is an artist you feel, rather than just listen too.


In the end while "Skin Deep" is a great album to listen to get the real Buddy Guy experience you have to see him alive. This is easy the guy tours like crazy. I don't think modern recording techniques can capture his essence. It's the same reason I have no concept of Hendrix, great artists can be captured. All this leads to my greatest regret, that I never got to see Stevie Ray Vaughan live, because not knowing what he was like is like not knowing a part of life.


Enough philosophy, buy this album it is great, but see him live next chance you get.

Still 100 percent Cotton Legendary blues harp player will blow ... - Hudson ...

Posted by Dan | | Posted On Aug 1, 2008 at 6:09 PM

I love some good blues harp and it doesn't get any better than James Cotton, one of the biggest influences in my playing. Here is a cool article on him if you have no idea what I'm talking about. Oh and if you want an album of his try "Live of Chicago Mr. Superharp Himself" out on Alligator. I have the album on a casette that I will play in my car till it don't play no more.

Still 100 percent Cotton Legendary blues harp player will blow ...
Hudson Reporter, NJ - 27 minutes ago
"I think considering that he hasn't been able to sing for at least seven or eight years, the fact that his legacy and his popularity goes on says an awful ...