Shuffle Time [Michael Holt The Trophy 500]
Posted by Dan | | Posted On Aug 29, 2008 at 7:53 PM
Man sometimes I wish I was in Austin.
Hartford Courant Bluesman Cray Proudly Represents 'Backbone Of American Music'
Hartford Courant, United States
By THOMAS KINTNER | Special to the Courant With nearly 30 years of recording behind him, Robert Cray has become one of the most reliable pillars of modern ...
PopMatters Bluesman watermelon slim paints a different picture
PopMatters, IL
Over the last two years, he has received 12 Blues Music Awards nominations for 2006's "Watermelon Slim & the Workers" and 2007's "The Wheel Man.
via The Roadhouse by Tony Steidler-DennisonThis hour of The Roadhouse is chock full of great blues by artists you've heard of and artists you haven't. It's music from Chicago and Dockery Farms, from St. Louis and Dallas, from the 1920s and 2008. Sometimes the essence of a thing is so clear it needs no further explanation or exploration. That's the deal in the 184th Roadhouse - it's blues, unaffected, pure and simple.
Well I've been sparse on the updates as of late because I've been incredibly busy what with getting ready to go back to college and what even I must say is a ridiculous concert schedule. In a week and a half starting on the 11th I saw BB King on Sunday, Herbie Hancock on Monday, Buddy Guy and George Thurgood on Wednesday, and Bobby "Blue" Bland last night. Seriously hectic and I'm going to have to take a break before I do anything like that again. So now I will go through each concert one by one to kind of give you and idea on how I felt about them but be wary because there is probably going to be some philosophical monologues throw in.
First off BB King
It was a great concert but what struck me the most was that it was basically the same concert I saw early this year that cost me three times the price. I mean I can hardly fault a 82 year for doing the same show over again because that basically is what he has been doing for that past 50 something years. However I've come to the opinion that BB is pretty much an embodiment of the national perception of the blues; he is the establishment. How it seems that Muddy Waters has faded from the collective memory and the only idea most people have of the blues continues to be and old black guy on a guitar who is now embodied by the well know BB King.
I feel as if BB King might not be the best example of the blues. I know I'm bordering on blasphemy but I feel the the lack of intimacy and raw emotion from his performances are basically giving the wrong impression. He is the packaged perception of the blues marketed to the people who feel that going to his concert gives them a broader outlook on American heritage but when in the grand scheme of things BB is just the polished paint job on a classic Cadillac. It's just what you can see on the outside diverting ones eyes from all the things on the insides; all the little pieces the make the car work and even further than that who made those pieces? What were the conditions that made those people do what they did? There is none of the grease, grime, or or sweat of a car on the outside. With blues there are layers but not enough people are getting past the shiny paint job.
Next Herbie Hancock(I know he is a jazz player but so am I and even though this is a blues blog I'm using him as an example of a great concert)
I'm going to be blunt, this was one of the best concerts I have ever been to. Usually there are concerts that are 70%, 80% and even 90% but I have only been to a handful that are 100% perfect. I could go on about every little detail (Lionel Loueke look him up, just do it.) but I'm going to continue on philosophical dialogue here.
I had a friend say "I'm not really a fan of fusion Herbie. it's just very corny to me." other than being a grossly ignorant statement it is also an unacceptable opinion for a musician to make (he is a guitarist). All people that know me are probably thinking I'm a hypocrite right now but believe it or not I'm working on changing. But the statement was mainly wrong in it's ignorance principally being that Fusion is corny and that Herbie can be described in such few words and corny is certainly not one of them. This touches on the broader concept of this post about society's general perceptions about the music of blues and jazz and their artists; plainly the general public is wrong. My friend was wrong thinking that Herbie was Fusion when he played quite a diverse show and second that BB King is the blues. I'm not going to possibly try and reason why things are they way they are but I do have some theories and forgive me while I keep them private for further development.
I'm sorry to cut this off but please tune in latter for the second installment.
Kinda hard to believe that little Joe Bonamassa, the child guitar prodigy at age 8, has crossed the 30 year mark and come a long way since his Bloodline days. Yep, Joe is all grown up now and has proven to be way beyond a child of the novelty with a guitar or another SRV wannabe (KWS?). In fact, Bonamassa continues to expand his chops showing no signs of peaking or leveling off in his ability.
Similar to players like Gary Moore & Popa Chubby, Joe can duplicate great guitar players, and incorporates a lexicon of legendary guitar styles from BB to Clapton to Jeff Beck to Eric Johnson-- even up to the phrasing of fellow contemporary Derek Trucks. And although he's currently having fun with those trademark Eric Johnson runs, he's most fond of the Blues where he stays anchored. Opening many many shows for BB King opened Joe's eyes and ears to the broad dynamics of just one note. He can burn it up, but knows that it all starts and ends on just one note. And tone... Joe knows tone...........
![]() Wall Street Journal | Finger-Picking Good Wall Street Journal By JIM FUSILLI Though not as famous for it as the Mississippi Delta or Chicago, the foothills of the Appalachian Mountains in Virginia have long been a ... |
"Sam Moore, who recorded those Isaac Hayes songs in the '60s and loved the writer-performer like a brother, told me Sunday when he heard about the death: “I’m happy.” Happy, I asked? “Yes, happy he’s out of pain.” It was one of the most beautiful ideas I’d ever heard expressed on the subject of death."Here is the full article.By Roger Friedman
MUSIC SCENE: Bluesman Guy loves his latest album
The Patriot Ledger, MA
At the South Shore Music Circus in July 2005, Guy had some throat problems that hindered him from cutting loose on some of his wilder blues shouts. He ...
Opening up at number 64 on billboard's top 200 Skin Deep is the first blues album to place since....I would assume the posthumously released "The Sky is Crying" by Stevie Ray Vaughn. Basically this album is successful; but is it good?
Taking a page (and backing support) out of Eric Clapton's book "Skin Deep" is a thoroughly modern album. It's well produced, including the talent of Derek Trucks, Robert Randolph, and Eric Clapton it on paper has all to ingredients of a really great album.
But it's not one. It is a great album but it just not that great.
I have seen Buddy Guy three times going on 4 next week and that is where you learn his true sound. He is a live performer. His recent albums excluding "Blues Singer" completely lack the essence of really listening to him. I compare "Skin Deep" to like listening through a filter; all the static and intricacies are filtered out. I caught myself thinking "Wait my ear's aren't ringing?" The CD just does not convey the intensity of a live show. When you see Buddy live the energy for him and the sound is so intense you can feel it. Every note and every bend you can feel. Buddy Guy is an artist you feel, rather than just listen too.
In the end while "Skin Deep" is a great album to listen to get the real Buddy Guy experience you have to see him alive. This is easy the guy tours like crazy. I don't think modern recording techniques can capture his essence. It's the same reason I have no concept of Hendrix, great artists can be captured. All this leads to my greatest regret, that I never got to see Stevie Ray Vaughan live, because not knowing what he was like is like not knowing a part of life.
Enough philosophy, buy this album it is great, but see him live next chance you get.
Still 100 percent Cotton Legendary blues harp player will blow ... Hudson Reporter, NJ - 27 minutes ago "I think considering that he hasn't been able to sing for at least seven or eight years, the fact that his legacy and his popularity goes on says an awful ... |
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